The Amazing Spider Man
Spidey is back, dear readers. Though it’s only been about
five years since the last Tobey Maguire-led Spider-Man movie, Marvel comics has
opted for a reboot. We now have the aptly named Marc Webb behind the camera and
the impressive (and recent Tony-nominee) Andrew Garfield in the suit.
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I can’t report that this is particularly revelatory, although
we do get a little more of Peter’s back story, like who his parents are and why
he’s living with his Aunt May and Uncle Ben (Sally Field and President Bartlet
Martin Sheen), which allows Webb and company to delve in Peter’s psyche here
and, presumably, in the surely forthcoming sequels. Still, there are two things
I really like about The Amazing
Spider-Man: Spidey’s humanity and the on screen chemistry.
Establishing a difference, Garfield’s Spider-Man seems more
human than Maguire’s. Not necessarily because of the performance, although
Garfield’s is very good. (He has this wonderful, youthful glow about him that
makes Peter entirely endearing.) Rather, we see physical evidence that Spidey
is human. In The Amazing Spider-Man,
when Spider-Man is in a fight and his opponent lands some punches, Peter has
bruises on his face or slashes on his stomach once the mask and suit are
removed. I don’t remember that being the case in the previous three films.
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Did we really need another Spider-Man movie? Nope. But it’s
fun and entertaining—so why not?
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