Vanya and Sonia and Masha and Spike
“If everyone was on anti-depressants, Chekhov would have had nothing to write about,” announces one of the characters in the hilarious new Christopher Durang play Vanya and Sonia and Masha and Spike , which is now playing a limited run at Broadway’s Golden Theatre. Durang is a frequent translator of Anton Chekhov’s works and this is sort of his comedy-of-the-absurd love letter to the playwright. If you know Chekhov’s work (like The CherryOrchard or Uncle Vanya , recently adapted by Annie Baker ), as well as other classics (Greek, Shakespearean and otherwise), you’ll relish the nuances and allusions that abound. If not, you’ll still howl at the absurd characters populating Durang’s play. The show is slightly meta, referencing theatre mores and acting techniques, yet it’s not over kill. With tongue planted firmly in cheek, Vanya… is clever and funny. And by using a quasi show-within-a-show device (Masha is an actress), Durang’s characters are given license to be as wacky and z