Breakfast at Tiffany's
Please welcome guest blogger, Melissa Spinner. Melissa is a Digital and Creative Communications Specialist in Philadelphia and loves the movie Breakfast at Tiffany’s. She made a special trip up to New York just to see the latest Broadway adaptation of one of her favorite movies, and because I know how much she loves the film, I asked her to share her perspective on this stage version.
It takes a brave woman to portray the character of Holly
Golightly on stage after Audrey Hepburn's spotless performance in the film
version of Breakfast at Tiffany's.
Emilia Clarke of HBO's Game of Thrones
was just the woman for the job in this new stage adaptation of Truman Capote's
classic novel. Starring in the play alongside Clarke as Holly Golightly is Cory
Michael Smith (Cock, The Shaggs: Philosophy of the World) as
Fred, and Cheers star George Wendt as
bartender Joe Bell.
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In October of 2002, the intention to bring Breakfast at Tiffany's to Broadway with
an adaptation by Tony Award winner Richard Greenberg (Take Me Out) was first announced. While Capote's 1958 novel and the
1961 film adaptation starring Audrey Hepburn were both extremely successful,
the story of Breakfast at Tiffany’s
has not always been such a hit. In 1966, the story was turned into a musical
starring Mary Tyler Moore only to fail after a mere four Broadway previews. [It
never officially opened.] Three years later, ABC attempted a TV pilot, which
was never picked up. In 2009, the story was once again unsuccessfully turned
into a West End play. This time, however, director Sean Mathias is determined
to make the Broadway play a success.
Unlike the film adaptation, Greenberg's script is based on
Capote's novel, which is quite different from the movie. “It’s not the movie,
it’s not Audrey Hepburn, but it is Capote’s words and Capote’s beautiful
characters,” said Clarke in a recentEW interview. The play stays true to Capote's novel, which takes place
during the war in the 1940s. It is no longer the simple romantic comedy in
which a man rescues a woman.
While the return to the characters and narrative of Capote's
book is refreshing after the beloved movie, there was one major disappointment.
The famous scene from the movie where Holly sits on her fire escape singing the
Oscar-winning song “Moon River” did not make the cut in its entirety in this
adaptation. The scene itself remained intact, with Clarke sitting on a fire
escape, yet it lacks “Moon River.” Instead, Clarke sings a different, quite
forgettable, song that leaves us missing the beautiful Audrey Hepburn. Whether
it was intentional to set both Clarke and the play apart from the movie, or
simply a legal issue in obtaining the rights to the song, this was the largest
and possibly only let down of the evening, unless of course you have an issue
with seeing either Emilia Clarke or Cory Michael Smith nude in a bathtub.
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Breakfast at Tiffany’s is
playing at the Cort Theatre. Visit breakfastattiffanysonbroadway.com for more
information and to purchase tickets.
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