Whiplash
People have said you need to bleed for your art, and other "helpful" advice speaks of the blood, sweat and tears needed to achieve glory. Writer and director Damien Chazelle puts such "wisdom" into action in his fantastic feature film, Whiplash.
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Simmons (whom you'll recognize from just about everything, including Up in the Air and Juno) gives a fascinating performance as a character that is obsessive about achieving excellence. He likes to tell of how Charlie Parker became "Bird": Jo Jones threw a cymbal at Parker after Parker couldn't keep up with Jones and his band. Fletcher's point? Had Jones or someone else simply said, "Good job," Parker would have gone home, satisfied, and not tried to be better. He never would have become Bird. Picking up on that lesson, Fletcher, though he has moments of humanity, is relentless in his pursuit of excellence. Fletcher throws cymbals.
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Expanding on an eponymous short film the young Chazelle made a couple years ago, the full-length Whiplash is efficient and intense, thrilling and scary, and it all leads up to an exhilarating finale.
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