The Total Bent
As The Total Bent charts a musician's arc, we're presented with an exploration of the intersection of religion, politics, and art. One never existed without the other; any revolution in one was fomented by the others. Political revolutions were/are almost always in response to religiosity, and they've been spurred, bolstered, defeated, crystallized, or in some other way represented by art. If you know me, you know these themes resonate with me. The show, however, didn't quite work. The latest offering from Stew (text and music) and Heidi Rodewald (music), the duo behind Passing Strange , focuses on Marty Roy (a phenomenal Ato Blankson-Wood ), a young black man in Montgomery, Alabama, at the dawn of the Civil Rights Movement. The Total Bent opens, though, with Marty's father, Joe Roy (a captivating Vondie Curtis Hall ) singing a would-be protest song (that features an electrifying blues strut). Joe and Marty quickly come to blows over music's place in th...