New York City Ballet: All-Christopher Wheeldon
Helping to kick off New York City Ballet's Here and Now Festival, which celebrates modern choreographers' works, was an all-Wheeldon program. During the evening, fans got to watch four ballets by the Tony-winning choreographer , who was the company's first resident choreographer. The evening began with Mercurial Manoeuvres , which, notably, is the last ballet Wheeldon choreographed for the company while still one of its principal dancers. A ballet for 21 dancers (set to Shostakovich's "Piano Concerto No. 1 in C Minor, Opus 35"), this has a decidedly militaristic feel in the ensemble moments. (Watch, for example, the dancers' arms—they move with precision like the hands on a clock. It's exact and clipped.) That's beautifully juxtaposed with the grace and softness of the utterly impressive pas de deux (danced on Saturday by Tiler Peck and Tyler Angle ). Both types of dancing—ensemble and pas—are mercurial. The ensemble keeps changing forma